FellowshipsView All Fellowships
The CBA Fellowship Program invites artists and scholars to The Center to develop self-directed projects that expand the way we think about ballet’s history, practice, and performance. Fellows come from a multitude of disciplines and bring a breadth of experience to the residency. They are not required to be experts in ballet. The fellowship provides time for fellows to do their work and a place to share their expertise and thinking with one another.
EventsView all Events
CBA’s public programming extends the conversations, work, and ideas emerging at The Center to a wider audience. Our panels, workshops, and lectures are designed to illuminate and expand our understanding of dance. Our goal is to bring together the university and the arts, the mind and the body, the seminar room and the stage.
Founder & Director
“If we could create a place – a major research center – where some of the great minds of our time could come together to focus on dance and its related arts, something new and interesting might happen.”
Ballet means simply ‘to dance.’ It is a form of poetic gesture.
Physically, ballet is a system of training based on a linear and geometrically proportioned organization of the human body. Ballet is intellectually expansive; it has profound connections to philosophy and mathematics, to manners and religion, to painting and fashion, and to the practices of war and the ambitions of sport. At its origins, ballet was a western art form with roots in the Renaissance. Throughout its history, it articulated a vision of society and civic culture, which was at first courtly and aristocratic and in the 20th century became public and democratic. Today, ballet is practiced world-wide and has incorporated and influenced a wide range of dance traditions and styles.
Like classical training in theater or music, ballet is a skill and a gateway: a necessary grounding for the most radical directions in art. What kinds of dances artists make with it is an open and unrestricted question.