About The Center
The CBA Fellowship Program awards residencies to artists and scholars across disciplines to work on projects that expand the way we think about the history, practice, and performance of dance. Applicants are not required to be experts in ballet or dance, but must have an interest in engaging with the art forms. The fellowship provides space, stipend, and the time to pursue rigorous work. Fellows also gain new colleagues and a broad community of artists and scholars, two communities that do not often meet.
EventsView all Events
CBA offers several opportunities for public engagement with the work and ideas about dance emerging from CBA and New York University. Click “View All Events” to learn more about these offerings, browse upcoming events, and watch content from past programs.
Founder & Director
“If we could create a place – a major research center – where some of the great minds of our time could come together to focus on dance and its related arts, something new and interesting might happen.”
Ballet means simply ‘to dance.’ It is a form of poetic gesture.
Physically, ballet is a system of training based on a linear and geometrically proportioned organization of the human body. Ballet is intellectually expansive; it has profound connections to philosophy and mathematics, to manners and religion, to painting and fashion, and to the practices of war and the ambitions of sport. At its origins, ballet was a western art form with roots in the Renaissance. Throughout its history, it articulated a vision of society and civic culture, which was at first courtly and aristocratic and in the 20th century became public and democratic. Today, ballet is practiced world-wide and has incorporated and influenced a wide range of dance traditions and styles.
Like classical training in theater or music, ballet is a skill and a gateway: a necessary grounding for the most radical directions in art. What kinds of dances artists make with it is an open and unrestricted question.